1 00:00:12,050 --> 00:00:13,550 Andy: KATIE, IT'S ME. 2 00:00:13,590 --> 00:00:15,560 LISTEN, WHEN YOU'RE ALL AT THE ZOO, 3 00:00:15,590 --> 00:00:18,260 WOULD YOU KEEP AN EYE ON THAT BLUE JACKET HE'S WEARING? 4 00:00:18,290 --> 00:00:20,590 YEAH. UH‐HUH. 5 00:00:20,630 --> 00:00:22,530 WELL, HE'S SUPPOSED TO BE WEARING IT. 6 00:00:22,560 --> 00:00:25,090 HE DON'T LIKE THE COLOR OR SOMETHING. 7 00:00:25,130 --> 00:00:26,730 HE TRIED TO DITCH IT IN THE CAR 8 00:00:26,770 --> 00:00:28,370 WHEN I DROPPED HIM OFF. 9 00:00:28,400 --> 00:00:30,730 YEAH. 10 00:00:30,770 --> 00:00:32,770 UH‐HUH. 11 00:00:32,800 --> 00:00:35,270 ANYWAYS, IF YOU COULD SEE IT DOESN'T END UP 12 00:00:35,310 --> 00:00:37,620 IN THE LOST AND FOUND OR PAWNED OFF 13 00:00:37,640 --> 00:00:39,470 TO ANOTHER CLASSMATE FOR PUDDING... 14 00:00:39,510 --> 00:00:40,980 NO, THAT'S IT. 15 00:00:41,010 --> 00:00:43,810 TELL HIM I SAID TO HAVE FUN. 16 00:00:43,850 --> 00:00:45,650 OKAY, THANKS. 17 00:01:13,650 --> 00:01:15,290 [ TIRES SCREECH ] 18 00:01:15,310 --> 00:01:16,340 GO, GO, GO! 19 00:01:16,380 --> 00:01:18,580 FREEZE, ASSHOLES! POLICE! 20 00:01:18,620 --> 00:01:22,090 [ MAN GROANING ] 21 00:01:22,120 --> 00:01:24,450 YOU ALL RIGHT? I'M A COP. HUH? YOU OKAY? 22 00:01:24,490 --> 00:01:27,360 NO, THEY PUT A GUN TO MY HEAD. 23 00:01:27,390 --> 00:01:29,260 I MEAN, THEY STOLE MY WALLET. AHH! 24 00:01:29,290 --> 00:01:31,530 GET IN THE CAR. 25 00:01:31,560 --> 00:01:34,000 YEAH, WHAT ARE WE DOING? 26 00:01:49,350 --> 00:01:51,820 [ MEN LAUGHING ] 27 00:01:57,690 --> 00:02:00,360 STAY HERE. GET A PLATE NUMBER. 28 00:02:02,490 --> 00:02:06,830 [ LAUGHING AND SHOUTING ] 29 00:02:14,540 --> 00:02:16,670 I'M A COP! CALL 911! 30 00:02:18,340 --> 00:02:20,640 DID YOU GET THAT PLATE? 31 00:02:20,680 --> 00:02:23,510 SON OF A BITCH! WHERE THE HELL DID HE GO? 32 00:02:23,550 --> 00:02:25,550 SON OF A BITCH! 33 00:03:42,790 --> 00:03:45,090 AHEM. AFTER I FIRED, THEY DROVE OFF. 34 00:03:45,130 --> 00:03:47,100 THEN I TOLD THE LOOKY‐LOO SUPER 35 00:03:47,130 --> 00:03:48,330 TO CALL 911. 36 00:03:48,370 --> 00:03:49,840 THEY EVER RETURN FIRE? 37 00:03:49,870 --> 00:03:51,430 AHEM. I SAW A MUZZLE FLASH. 38 00:03:51,470 --> 00:03:52,730 YOU SURE IT WAS THEIRS? 39 00:03:52,770 --> 00:03:54,800 SOMETIMES YOU THINK. IT'S YOUR OWN FLASH 40 00:03:54,840 --> 00:03:56,300 REFLECTED IN THEIR WINDSHIELD. 41 00:03:56,340 --> 00:03:58,340 I KNOW THE DIFFERENCE. I SAW THEIR MUZZLE FLASH. 42 00:03:58,380 --> 00:04:00,850 E.S.U.'s AT THE SCENE. THEY'RE DOING A SEARCH. 43 00:04:00,880 --> 00:04:02,610 ANYONE HIT YOU KNOW OF? 44 00:04:02,650 --> 00:04:04,990 I HEARD YELLING AS THEY PULLED OFF, 45 00:04:05,020 --> 00:04:06,630 BUT MOSTLY FOR THE DRIVER TO HIT THE GAS. 46 00:04:06,650 --> 00:04:07,920 SO THEY SCOOT. WHICH DIRECTION? 47 00:04:07,950 --> 00:04:09,950 UP FIRST AVENUE. I HEADED BACK TO MY CAR. 48 00:04:09,990 --> 00:04:12,090 AT THAT POINT, I SAW THE VICTIM WAS GONE. 49 00:04:12,120 --> 00:04:13,620 ANYONE SEE HIM SPLIT? 50 00:04:13,660 --> 00:04:16,460 NO. HE GIVE YOU ANY INDICATION WHY HE'D WANT TO? 51 00:04:16,490 --> 00:04:18,630 HE WAS LATE FOR CHURCH. I DON'T KNOW. 52 00:04:18,660 --> 00:04:20,660 WAS HE RELUCTANT TO GET IN THE CAR? 53 00:04:20,700 --> 00:04:22,800 IT WASN'T A KIDNAPPING. 54 00:04:22,830 --> 00:04:24,330 ANY CONVERSATION IN THE CAR? 55 00:04:24,370 --> 00:04:26,500 AND WHAT WAS HIS ATTITUDE? 56 00:04:26,540 --> 00:04:29,050 HE WAS PRETTY SHAKEN UP. 57 00:04:32,880 --> 00:04:35,650 THREE BLACK MALES JUST WALKED INTO THE BELLEVUE E. R., 58 00:04:35,680 --> 00:04:37,310 ALL THREE WITH GUNSHOT WOUNDS. 59 00:04:37,350 --> 00:04:39,780 GOTTA BE YOUR GUYS. WHAT'S THEIR CONDITION? 60 00:04:39,820 --> 00:04:42,020 ONE OF THEM'S GRAZED. THE OTHER TWO ARE ROCKY. 61 00:04:42,050 --> 00:04:44,150 WE'RE HEADING DOWN THERE. JONES AND MEDAVOY? 62 00:04:44,190 --> 00:04:46,290 THEY'RE RESPONDING TO A BAR ROBBERY FROM LAST NIGHT. 63 00:04:46,320 --> 00:04:47,620 OKAY, I'LL RIDE WITH YOU. 64 00:04:47,660 --> 00:04:49,060 COME DOWN WHEN YOU'RE FINISHED 65 00:04:49,090 --> 00:04:51,860 WITH THE DUTY CAPTAIN, SEE CAN YOU MAKE AN I. D. 66 00:04:55,430 --> 00:04:58,000 YOU SEE THEM GOOD ENOUGH TO MAKE AN I. D.? 67 00:04:58,040 --> 00:04:59,510 YEAH. 68 00:04:59,540 --> 00:05:03,750 SO, DETECTIVE, WHEN WAS YOUR LAST TOUR OF DUTY? 69 00:05:03,780 --> 00:05:06,050 YESTERDAY, 8:00 TO 4:00. 70 00:05:06,080 --> 00:05:08,690 YOU DO ANY DRINKING LAST NIGHT? 71 00:05:09,950 --> 00:05:11,850 CAPTAIN, THIS WAS A CLEAN SHOOT. 72 00:05:11,880 --> 00:05:14,180 I'M NOT SAYING IT WASN'T, DETECTIVE, 73 00:05:14,220 --> 00:05:16,220 BUT I GOT TO ASK THE QUESTION. 74 00:05:16,250 --> 00:05:18,520 I WASN'T DRINKING LAST NIGHT. 75 00:05:18,560 --> 00:05:20,900 I'M SOBER 4 1/2 YEARS. 76 00:05:32,540 --> 00:05:34,010 HEY, GIBSON. 77 00:05:34,040 --> 00:05:36,170 HOW'S SIPOWICZ? EVERYTHING ALL RIGHT? 78 00:05:36,210 --> 00:05:37,680 YEAH, HE'S FINE. 79 00:05:37,710 --> 00:05:39,740 I'M HEARING HE HIT ALL FIVE PERPS. 80 00:05:39,780 --> 00:05:42,340 THERE WERE THREE PERPS. NOW IT'S A FISH STORY. 81 00:05:42,380 --> 00:05:44,450 YEAH, WHAT DO WE GOT HERE? 82 00:05:44,480 --> 00:05:46,780 THREE WHITE MALES COME IN RIGHT AFTER CLOSING ‐‐ 83 00:05:46,820 --> 00:05:48,750 SKI MASKS, CLEAR THE TILL, 84 00:05:48,790 --> 00:05:50,530 CLEAN OUT THE BARTENDER, WAITRESS, AND THREE REGULARS. 85 00:05:50,560 --> 00:05:51,960 TWO OF THE PERPS TAKE ONE OF THE PATRONS 86 00:05:51,990 --> 00:05:53,350 INTO THE WOMEN'S BATHROOM AND RAPE HER. 87 00:05:53,390 --> 00:05:55,260 SHE'S AT BELLEVUE. ANYTHING TO GO ON? 88 00:05:55,290 --> 00:05:57,590 RAPE VICTIM SAID THEY PULLED THEIR MASKS UP 89 00:05:57,630 --> 00:05:59,060 IN THE BATHROOM, BUT SHE WASN'T 90 00:05:59,100 --> 00:06:00,410 IN ANY KIND OF SHAPE TO GET INTO DETAILS. 91 00:06:00,430 --> 00:06:01,960 WHERE'S EVERYBODY ELSE? 92 00:06:02,000 --> 00:06:04,130 I INTERVIEWED THEM AND LET THEM GO. 93 00:06:04,170 --> 00:06:05,870 ALL THEY GOT WAS THE CAR AND THE FIRST TWO NUMBERS 94 00:06:05,900 --> 00:06:07,570 OF THE PLATE. LATE‐MODEL WHITE CHEVY. 95 00:06:07,610 --> 00:06:09,280 CAN I GET THOSE NAMES? 96 00:06:09,310 --> 00:06:11,450 GIVE ANDY MY BEST. 97 00:06:11,480 --> 00:06:12,920 HEY, GUYS. 98 00:06:12,940 --> 00:06:15,780 HEY. WHAT ARE YOU DOING HERE? 99 00:06:15,810 --> 00:06:17,950 THE BOROUGH SENT ME. I GUESS YOU GUYS ARE SHORT AGAIN TODAY. 100 00:06:17,980 --> 00:06:19,380 ANYWAY, I TALKED WITH LT. FANCY. 101 00:06:19,420 --> 00:06:20,660 HE SAID TO MEET YOU HERE. 102 00:06:20,690 --> 00:06:22,290 OKAY. WE GOT A STICKUP/RAPE. 103 00:06:22,320 --> 00:06:23,920 WE'LL BE HEADING OVER TO BELLEVUE. 104 00:06:23,960 --> 00:06:26,100 HOW ABOUT YOU INTERVIEW THE RAPE VICTIM? 105 00:06:26,120 --> 00:06:27,220 SURE. SO WE'RE DONE HERE? 106 00:06:27,260 --> 00:06:29,060 WHY DON'T YOU CHECK OUT THE LADIES' ROOM? 107 00:06:29,090 --> 00:06:31,060 THAT'S WHERE THE RAPE TOOK PLACE. 108 00:06:31,100 --> 00:06:32,640 HAS CRIME SCENE PROCESSED IT? 109 00:06:32,660 --> 00:06:34,300 YEAH, BUT CHECK AND SEE IF ANYTHING GOT MISSED. 110 00:06:34,330 --> 00:06:36,500 YOU GOT IT. 111 00:06:41,310 --> 00:06:43,180 IS IT ME, 112 00:06:43,210 --> 00:06:45,350 OR DOES EVERY TIME ONE OF OUR GUYS 113 00:06:45,380 --> 00:06:47,490 GETS IN A SPOT, SHE SHOWS UP? 114 00:06:47,510 --> 00:06:49,310 WELL, LIKE SHE SAID, 115 00:06:49,350 --> 00:06:51,790 BOTH TIMES WE'VE BEEN A MAN SHORT. 116 00:06:51,820 --> 00:06:53,190 SHE'S PRETTY INNOCENT‐LOOKING ‐‐ 117 00:06:53,220 --> 00:06:54,790 SOMEONE YOU'D NEVER EXPECT. 118 00:06:54,820 --> 00:06:57,020 SO THAT MAKES HER AN INFORMANT FOR INTERNAL AFFAIRS? 119 00:06:57,060 --> 00:06:58,800 I'M JUST SAYING IT'S WEIRD. 120 00:06:58,820 --> 00:07:00,320 I DON'T REMEMBER HER ASKING 121 00:07:00,360 --> 00:07:02,320 A WHOLE LOT OF PERSONAL QUESTIONS LAST TIME. 122 00:07:02,360 --> 00:07:04,460 YOU THINK I.A.B. RUSHES INTO THINGS? 123 00:07:04,500 --> 00:07:06,140 YOU BEEN WATCHING "JFK" AGAIN? 124 00:07:06,160 --> 00:07:09,030 JUST WATCH WHAT YOU SAY AROUND HER 125 00:07:09,070 --> 00:07:11,980 UNTIL I MAKE SOME PHONE CALLS. 126 00:07:12,000 --> 00:07:15,140 ALL RIGHT, ALL RIGHT. FINE. 127 00:07:30,350 --> 00:07:32,320 HELEN, I'M DETECTIVE McDOWELL. 128 00:07:32,360 --> 00:07:35,130 THESE ARE DETECTIVES JONES AND MEDAVOY. 129 00:07:35,160 --> 00:07:37,130 CAN YOU TELL ME WHAT HAPPENED? 130 00:07:37,160 --> 00:07:41,800 MY ROOMMATE HAD HER NEW BOYFRIEND OVER, AND... 131 00:07:41,830 --> 00:07:44,970 SHE ASKED IF I COULD, YOU KNOW, 132 00:07:45,000 --> 00:07:46,530 GO SOMEWHERE ELSE. 133 00:07:46,570 --> 00:07:48,370 SO I CALLED MY FRIEND PATTY 134 00:07:48,410 --> 00:07:50,720 AND HAD HER MEET ME AT THE CHATTERBOX 135 00:07:50,740 --> 00:07:52,370 'CAUSE IT'S SO CLOSE TO MY APARTMENT. 136 00:07:52,410 --> 00:07:54,640 AND, UM... 137 00:07:54,680 --> 00:07:57,680 I CALLED MY ROOMMATE AT 1:00, 138 00:07:57,720 --> 00:07:59,190 BUT SHE DIDN'T ANSWER, 139 00:07:59,220 --> 00:08:03,060 SO I THOUGHT, I'LL GIVE THEM UNTIL 2:30. 140 00:08:03,090 --> 00:08:05,230 I MEAN, IT'S NOT LIKE I EVEN HANG OUT 141 00:08:05,260 --> 00:08:07,730 AT THAT BAR ALL THE TIME OR ANYTHING. 142 00:08:09,560 --> 00:08:11,830 THE GUYS WHO DID THIS ‐‐ 143 00:08:11,860 --> 00:08:14,030 CAN YOU TELL ME ANYTHING ABOUT THEM? 144 00:08:14,070 --> 00:08:15,840 UM... 145 00:08:15,870 --> 00:08:18,680 MASKS. THEY HAD MASKS, 146 00:08:18,700 --> 00:08:20,170 AND THEY WERE WHITE. 147 00:08:20,200 --> 00:08:22,540 DID THEY EVER REMOVE THEIR MASKS? 148 00:08:24,210 --> 00:08:26,310 IN THE BATHROOM. 149 00:08:27,880 --> 00:08:30,710 COULD YOU IDENTIFY THEM IF YOU SAW THEM AGAIN? 150 00:08:30,750 --> 00:08:32,550 I THINK SO. 151 00:08:32,580 --> 00:08:34,780 I MEAN, I'D BEEN DRINKING, 152 00:08:34,820 --> 00:08:36,920 AND, UM, IN THE BATHROOM, 153 00:08:36,960 --> 00:08:40,770 THEY HAD MY FACE PUSHED IN THE SINK, SO ‐‐ 154 00:08:40,790 --> 00:08:43,260 BUT SOMEWHERE IN THERE, 155 00:08:43,290 --> 00:08:45,130 YOU THINK YOU GOT A GOOD LOOK. 156 00:08:45,160 --> 00:08:48,430 I THINK SO. 157 00:08:50,770 --> 00:08:52,600 ASSADA BURKE, I'M DETECTIVE SORENSON. 158 00:08:52,640 --> 00:08:55,380 THIS IS DETECTIVE RUSSELL, LIEUTENANT FANCY. 159 00:08:55,410 --> 00:08:57,280 ANY NEWS ON MY COUSIN OR DeSHAWN? 160 00:08:57,310 --> 00:08:59,110 THE DOCTOR SAID YOUR COUSIN'S OUT OF SURGERY. 161 00:08:59,140 --> 00:09:02,710 HE'S STABLE. WE'RE STILL WORKING ON DeSHAWN. 162 00:09:02,750 --> 00:09:05,590 MAN, THAT PSYCHO REALLY BLEW A CHUNK OUT OF HIS NECK. 163 00:09:05,620 --> 00:09:07,090 I'VE NEVER SEEN SO MUCH BLOOD. 164 00:09:07,120 --> 00:09:08,580 WHY DON'T YOU TELL US WHAT HAPPENED? 165 00:09:08,620 --> 00:09:11,050 ME AND ANTHONY, WE WERE DRIVING DeSHAWN HOME, 166 00:09:11,090 --> 00:09:12,720 AND WE WERE STOPPED AT THIS LIGHT, 167 00:09:12,760 --> 00:09:14,730 AND OUT OF NOTHING, THIS BIG WHITE GUY RUNS UP 168 00:09:14,760 --> 00:09:16,220 AND STARTS SPRAYING BULLETS. 169 00:09:16,260 --> 00:09:18,060 REWIND A BIT, ASSADA. WHERE WERE YOU COMING FROM? 170 00:09:18,100 --> 00:09:20,910 THIS AFTER‐HOURS CLUB ON D ‐‐ SAVE THE ROBOTS. 171 00:09:20,930 --> 00:09:23,630 YOU DO ANY DRINKING THERE, ANY DOPE OR ECSTASY? 172 00:09:23,670 --> 00:09:26,300 NO, WE WEREN'T DRINKING, AND WE DON'T DO DRUGS. 173 00:09:26,340 --> 00:09:28,010 YOU MUST HAVE BEEN OUT OF PLACE, 'CAUSE THAT CLUB 174 00:09:28,040 --> 00:09:29,640 IS A WELL‐KNOWN PHARMACEUTICAL CLEARING‐HOUSE. 175 00:09:29,670 --> 00:09:31,970 TO US, IT'S A DANCE CLUB. 176 00:09:32,010 --> 00:09:34,440 ME AND ANTHONY HAD A 2‐HOUR DRIVE BACK TO SCHOOL, 177 00:09:34,480 --> 00:09:35,910 SO WE WERE SOBER. 178 00:09:35,950 --> 00:09:37,790 WHAT TIME DID YOU LEAVE THE CLUB, ASSADA? 179 00:09:37,820 --> 00:09:40,760 ABOUT 6:15. 180 00:09:40,790 --> 00:09:41,790 WALKING OR DRIVING? 181 00:09:41,820 --> 00:09:44,520 WE WERE DRIVING. WE WERE SHOT AT IN A CAR. 182 00:09:44,560 --> 00:09:46,930 SO YOU WERE NEVER WALKING ON 8th TOWARD FIRST AVENUE. 183 00:09:46,960 --> 00:09:48,920 NO. 184 00:09:48,960 --> 00:09:50,430 NEVER CAME ON A TALL WHITE GUY 185 00:09:50,460 --> 00:09:51,690 WHO YOU MAYBE ASKED TO EMPTY HIS POCKETS? 186 00:09:51,730 --> 00:09:53,190 WHAT ARE YOU TALKING ABOUT? 187 00:09:53,230 --> 00:09:54,800 AROUND THE BLOCK FROM WHERE YOU WERE SHOT UP, 188 00:09:54,830 --> 00:09:57,170 TWO BLACK GUYS RIPPED OFF A WHITE KID AT GUNPOINT 189 00:09:57,200 --> 00:09:58,670 AND SPLIT IN A JETTA MATCHING YOURS. 190 00:09:58,700 --> 00:10:00,840 THE CRIME WAS WITNESSED BY A COP, ASSADA, 191 00:10:00,870 --> 00:10:03,300 SO START EASING OFF YOUR AMBUSH SCENARIO. 192 00:10:03,340 --> 00:10:04,810 THE GUY WHO SHOT AT US WAS A COP? 193 00:10:04,840 --> 00:10:06,810 ABOUT NOW, I'D START THINKING HOW GETTING US YOUR GUN 194 00:10:06,850 --> 00:10:08,820 COULD HELP SHAVE TIME OFF IN JAIL. 195 00:10:08,850 --> 00:10:10,320 I DON'T KNOW ABOUT ANY GUN, 196 00:10:10,350 --> 00:10:11,810 AND WE WERE NOT DOING A STICKUP. 197 00:10:11,850 --> 00:10:14,350 EITHER GIVE A STATEMENT OR GET PICKED OUT OF A LINEUP, 198 00:10:14,390 --> 00:10:16,660 IN WHICH CASE THE JUDGE WILL NEVER HEAR YOUR SIDE OF IT. 199 00:10:16,690 --> 00:10:18,120 ALL HE'LL SEE IS AN UNCOOPERATIVE PRICK 200 00:10:18,160 --> 00:10:19,630 TOO STUPID TO MOVE OUT OF THE WAY 201 00:10:19,660 --> 00:10:21,020 OF A WRECKING BALL. 202 00:10:21,060 --> 00:10:23,320 STUPID DOESN'T PUT YOU ON THE DEAN'S LIST AT ALBANY, 203 00:10:23,360 --> 00:10:24,630 AND IT DIDN'T PUT MY COUSIN THERE, EITHER, 204 00:10:24,660 --> 00:10:25,830 SO MAYBE THIS WASN'T OUR FAULT. 205 00:10:25,860 --> 00:10:28,130 MAYBE YOUR COP DON'T KNOW ONE JETTA FROM ANOTHER. 206 00:10:28,170 --> 00:10:30,340 HE JUST PICKS ONE AND STARTS BLASTING. 207 00:10:30,370 --> 00:10:32,500 HE WAS BLASTING ON ACCOUNT OF THE GUN IN HIS FACE. 208 00:10:32,540 --> 00:10:34,010 NO, WE DIDN'T HAVE A GUN. 209 00:10:34,040 --> 00:10:35,870 NOW YOU'RE BOTHERING OTHER PATIENTS, MR. BURKE. 210 00:10:35,910 --> 00:10:39,850 THEN FOR ALL OUR SAKE, LEAVE ME ALONE. 211 00:10:41,050 --> 00:10:43,150 WHERE'S THIS, UH, JETTA OF YOURS, ASSADA? 212 00:10:43,180 --> 00:10:45,180 WE GOT TO TAKE A LOOK AT IT. 213 00:10:45,220 --> 00:10:46,690 IN THE PARKING LOT. KNOCK YOURSELVES OUT. 214 00:10:46,720 --> 00:10:48,450 DON'T GET TOO COMFORTABLE. 215 00:10:53,560 --> 00:10:55,560 McDOWELL TALKED TO THE RAPE VICTIM, 216 00:10:55,590 --> 00:10:57,060 BUT UP TO NOW, NOTHING. 217 00:10:57,100 --> 00:10:58,540 SHE DIDN'T GET A GOOD LOOK AT HIS FACE. 218 00:10:58,560 --> 00:11:00,030 WELL, SHE INDICATED THEY MIGHT HAVE TAKEN 219 00:11:00,060 --> 00:11:02,360 THEIR MASKS OFF AT THAT POINT, BUT THEY HAD HER TURNED AROUND. 220 00:11:02,400 --> 00:11:03,870 YEAH, WE'LL CHECK WITH PATROL, 221 00:11:03,900 --> 00:11:06,100 SEE WERE THERE ANY STOPS IN THE AREA LAST NIGHT. 222 00:11:06,140 --> 00:11:07,610 HOW'D IT GO IN THERE? 223 00:11:07,640 --> 00:11:10,010 HE SAYS THEY'RE INNOCENT COLLEGE KIDS. 224 00:11:10,040 --> 00:11:13,580 SAID ANDY ROLLED ON THEM 'CAUSE HE MISTOOK THE CAR. 225 00:11:14,880 --> 00:11:16,910 AIN'T NO WAY THAT HAPPENED. 226 00:11:20,420 --> 00:11:21,620 WHAT'S THE STORY? 227 00:11:21,650 --> 00:11:23,020 WE GOT A LITTLE PROBLEM. 228 00:11:23,050 --> 00:11:25,520 I DON'T WANT YOU GOING IN THERE RIGHT NOW. 229 00:11:25,560 --> 00:11:27,700 THIS KID'S TRYING TO FLOAT YOU SHOT UP THE WRONG CAR. 230 00:11:27,730 --> 00:11:29,900 IMPOSSIBLE. NOT POSSIBLE. 231 00:11:29,930 --> 00:11:32,230 YOU'RE ABSOLUTELY CERTAIN IT WAS THE SAME CAR. 232 00:11:32,260 --> 00:11:33,860 IT WAS THE CAR. THOSE WERE THE GUYS. 233 00:11:33,900 --> 00:11:35,860 ALL RIGHT, BUT UNTIL WE GET YOU A WITNESS, 234 00:11:35,900 --> 00:11:37,430 WE CAN'T PROVE THIS KID'S LYING. 235 00:11:37,470 --> 00:11:39,070 RUSSELL AND SORENSON WILL RECANVASS. 236 00:11:39,100 --> 00:11:41,040 MEANTIME, BE PATIENT. 237 00:11:41,070 --> 00:11:42,470 GO ON BACK TO THE HOUSE. 238 00:11:42,510 --> 00:11:44,650 WE'RE ON IT, ANDY. DON'T WORRY. 239 00:11:44,680 --> 00:11:46,820 YEAH. DON'T WORRY. 240 00:12:15,710 --> 00:12:18,450 WHICH ONE'S THE DRIVER? 241 00:12:18,480 --> 00:12:19,650 WANNABE NUMBER ONE HERE. 242 00:12:19,680 --> 00:12:21,510 PUT HIM IN INTERVIEW THREE, 243 00:12:21,550 --> 00:12:23,420 STICK HIM IN THE POKEY, THE OTHER ONE DOWNSTAIRS. 244 00:12:23,450 --> 00:12:25,590 WHAT'S THIS? 245 00:12:25,620 --> 00:12:27,130 OUR UNIFORMS GRABBED THEM UP. 246 00:12:27,150 --> 00:12:28,620 I CAN SEE THAT. 247 00:12:28,650 --> 00:12:30,620 THEY FIT DESCRIPTIONS OF OUR SUSPECTS 248 00:12:30,660 --> 00:12:32,960 IN THE BAR STICKUP. 249 00:12:32,990 --> 00:12:35,460 WHAT DESCRIPTIONS? I THOUGHT THEY WORE SKI MASKS. 250 00:12:35,490 --> 00:12:38,260 ROBBERY SQUAD HAD A PATTERN ON THREE WHITE MALES DOING 251 00:12:38,300 --> 00:12:40,610 STICKUPS WITH SKI MASKS DRIVING A LATE‐MODEL WHITE CHEVY, 252 00:12:40,630 --> 00:12:42,260 AND THAT'S WHAT THESE THREE GUYS WERE DRIVING 253 00:12:42,300 --> 00:12:43,630 WHEN THEY GOT PULLED OVER. 254 00:12:43,670 --> 00:12:45,600 BUT WITH NO SKI MASKS. 255 00:12:45,640 --> 00:12:47,610 IT STARTED OFF AS A SERIES OF PARKING GARAGE STICKUPS 256 00:12:47,640 --> 00:12:49,100 THREE MONTHS AGO. 257 00:12:49,140 --> 00:12:50,310 RECENTLY SWITCHED TO BARS AND GRILLS AND RESTAURANTS. 258 00:12:50,340 --> 00:12:51,810 ANY RAPES? 259 00:12:51,840 --> 00:12:54,240 NO, THIS WOULD BE THE FIRST. 260 00:12:56,050 --> 00:12:57,790 SO YOU SURE THEY WEREN'T DRIVING AROUND 261 00:12:57,820 --> 00:12:59,630 AT 11:00 A. M. WITH SKI MASKS ON. 262 00:12:59,650 --> 00:13:01,450 I MEANT ON THEIR PERSON. 263 00:13:01,490 --> 00:13:02,960 SO, I'M IN ON THESE INTERVIEWS? 264 00:13:02,990 --> 00:13:05,000 YEAH. 265 00:13:05,020 --> 00:13:06,320 HEY. HOW'S IT GOING? 266 00:13:06,360 --> 00:13:07,830 DETECTIVES. 267 00:13:18,540 --> 00:13:20,510 WHY'D THE COPS HAVE TO CHASE YOU FOR EIGHT BLOCKS 268 00:13:20,540 --> 00:13:22,000 BEFORE YOU PULLED OVER? 269 00:13:22,040 --> 00:13:24,340 IT WAS MORE LIKE THREE BLOCKS, 270 00:13:24,380 --> 00:13:26,990 AND I COULDN'T FIND A PLACE TO PULL OVER. 271 00:13:27,010 --> 00:13:28,480 IN THE FUTURE, JUST AS A GENERAL HEADS‐UP, 272 00:13:28,510 --> 00:13:29,980 DON'T DO CRIMES WITH TWO OTHER GUYS. 273 00:13:30,010 --> 00:13:31,850 IT OPENS THE CIRCLE UP TOO MUCH. 274 00:13:31,880 --> 00:13:33,580 THAT'S TRUE. 275 00:13:33,620 --> 00:13:35,250 YOU FOUND THAT, TOO? 276 00:13:35,290 --> 00:13:37,900 DEFINITELY ‐‐ IT'S HARD ENOUGH STAYING FRIENDS WITH ONE GUY, 277 00:13:37,920 --> 00:13:40,820 MAKING SURE ONE GUY DOESN'T RUN HIS MOUTH FOR WHATEVER REASON, 278 00:13:40,860 --> 00:13:42,320 BUT TWO OTHER GUYS? 279 00:13:42,360 --> 00:13:45,160 I‐I'VE NEVER SEEN THREE GUYS HOLD UP. 280 00:13:45,200 --> 00:13:47,240 LAST NIGHT AT THE CHATTERBOX ‐‐ 281 00:13:47,270 --> 00:13:49,340 CHATTERBOX. ISN'T THAT A BAR? 282 00:13:49,370 --> 00:13:51,340 YEAH, THE ONE YOU AND YOUR FRIENDS WERE SEEN 283 00:13:51,370 --> 00:13:53,400 DRIVING AWAY FROM AFTER YOU ROBBED IT. 284 00:13:53,440 --> 00:13:55,110 YEAH, WELL, WE WERE DRIVING AROUND LAST NIGHT, 285 00:13:55,140 --> 00:13:56,610 BUT STICKING UP A BAR ‐‐ 286 00:13:56,640 --> 00:13:58,410 I THINK I WOULD HAVE REMEMBERED THAT. 287 00:13:58,440 --> 00:14:00,410 YOU GAMBLE MUCH, JAKE? 288 00:14:00,440 --> 00:14:03,110 YOU'RE BETTING 10 YEARS THAT ONE OF YOUR 2 BUDDIES 289 00:14:03,150 --> 00:14:04,460 ISN'T GOING TO TELL US ABOUT WHAT HAPPENED, 290 00:14:04,480 --> 00:14:06,450 AND WHOEVER DOES GETS THE DEAL. 291 00:14:06,480 --> 00:14:07,950 THE OTHER TWO GET THE TIME. 292 00:14:07,990 --> 00:14:10,630 YOU KNOW, THIS WOULD REALLY MAKE A WHOLE LOT MORE SENSE TO ME 293 00:14:10,660 --> 00:14:13,300 IF I KNEW WHAT THE HELL YOU WERE TALKING ABOUT. 294 00:14:13,320 --> 00:14:15,590 ALL RIGHT, JAKE. 295 00:14:15,630 --> 00:14:17,740 WE'RE GOING TO MAKE YOU STAND IN A LINEUP. 296 00:14:17,760 --> 00:14:19,230 YOU CAN MAKE ME STAND ON MY HEAD. 297 00:14:19,260 --> 00:14:21,000 I DIDN'T DO NOTHING. 298 00:14:29,970 --> 00:14:31,440 I ALREADY SPOKE TO THE CHIEF OF D's. 299 00:14:31,480 --> 00:14:34,090 I'VE BEEN FIELDING CALLS FROM THE PRESS ‐‐ 300 00:14:34,110 --> 00:14:35,580 THE COMMISSIONER'S AIMING TO GET A SOUND BITE 301 00:14:35,610 --> 00:14:36,880 ON THE 6:00 NEWS. 302 00:14:36,920 --> 00:14:38,390 CAN'T GIVE YOU MUCH 303 00:14:38,420 --> 00:14:40,730 BEYOND "THE INVESTIGATION'S ONGOING." 304 00:14:40,750 --> 00:14:42,880 MY GENERAL SENSE ‐‐ THAT WON'T SATISFY THE COMMISSIONER. 305 00:14:42,920 --> 00:14:45,120 HE WANTS TO ANNOUNCE AN ARREST, 306 00:14:45,160 --> 00:14:47,270 MEANING THE ARREST OF THE STICKUP KIDS? 307 00:14:47,290 --> 00:14:49,630 IF THAT PANS OUT. 308 00:14:49,660 --> 00:14:52,160 AND IF IT DOESN'T? 309 00:14:56,200 --> 00:14:59,170 AN AFTERNOON TO CLEAR A COP WITH 22 YEARS ON THE JOB. 310 00:14:59,200 --> 00:15:02,400 THIS IS FROM THE IVORY TOWER, LIEUTENANT, NOT FROM ME, 311 00:15:02,440 --> 00:15:05,170 AND I'M NOT SAYING ANYONE'S TAKEN A POSITION. 312 00:15:05,210 --> 00:15:07,310 [ TELEPHONE RINGS ] 313 00:15:07,350 --> 00:15:10,790 PERSONALLY, I HOPE IT PANS OUT. 314 00:15:10,820 --> 00:15:13,160 [ RING ] 315 00:15:13,180 --> 00:15:14,980 THIS IS FANCY. 316 00:15:24,660 --> 00:15:26,830 PLEASANT CHAT? 317 00:15:33,870 --> 00:15:37,010 HE JUST REITERATED THE NEED TO CORROBORATE YOUR STORY. 318 00:15:37,040 --> 00:15:38,510 JUST CAME IN TO REITERATE. 319 00:15:38,540 --> 00:15:41,180 NOTHING ABOUT CONSEQUENCES, HEAT FROM THE BRASS. 320 00:15:41,210 --> 00:15:43,480 COMMISSIONER WANTS A STATEMENT ON THE 6:00 NEWS. 321 00:15:43,510 --> 00:15:44,980 THAT I'M A COLLAR? 322 00:15:45,020 --> 00:15:47,160 MARTINEZ WAS VAGUE. 323 00:15:47,190 --> 00:15:48,530 GUESS THAT'S GOING AROUND. 324 00:15:48,550 --> 00:15:50,020 DOWNTOWN CALL. 325 00:15:50,050 --> 00:15:52,820 THEY WANT YOU TO HEAD TO LEFRAK CITY, SEE THE SHRINK. 326 00:15:54,160 --> 00:15:57,530 USUALLY THEY GIVE YOU A FEW DAYS TO SETTLE DOWN. 327 00:15:57,560 --> 00:15:59,530 ANY SENSE OF TRYING TO GET IN FRONT OF SOMETHING, 328 00:15:59,560 --> 00:16:01,530 MAYBE GET AN EARLY COLLAR 329 00:16:01,570 --> 00:16:04,040 ON A PSYCHO COP LIKES TO SPRAY BULLETS? 330 00:16:04,070 --> 00:16:07,640 ANDY, MARTINEZ SAID NO ONE'S TAKEN A POSITION THUS FAR. 331 00:16:07,670 --> 00:16:09,340 YOU CAN TELL. 332 00:16:09,370 --> 00:16:10,840 WHATEVER HE SAYS, 333 00:16:10,880 --> 00:16:13,250 I GUARANTEE YOU NO ONE AROUND HERE HAS. 334 00:16:13,280 --> 00:16:15,720 AND I DON'T NEED TO TELL YOU 335 00:16:15,750 --> 00:16:17,560 TO WATCH WHAT YOU SAY TO THE SHRINK. 336 00:16:17,580 --> 00:16:20,150 DON'T WANT TO LET MY WACKY SIDE SHOW. 337 00:16:20,180 --> 00:16:22,480 A‐ANOTHER REPORTER, LIEUTENANT. 338 00:16:22,520 --> 00:16:24,850 THIS ONE'S FROM THE "POST." 339 00:16:24,890 --> 00:16:27,760 REFER HIM TO DCPI, AND ANYONE ELSE FROM NOW ON. 340 00:16:42,770 --> 00:16:44,410 WHAT BRINGS YOU, COUNSELOR? 341 00:16:44,440 --> 00:16:46,740 KEEPING CLOSE BY ON THAT SIPOWICZ SHOOTING. 342 00:16:46,780 --> 00:16:49,210 ALSO HEARD THAT YOU HAD SUSPECTS ON THAT RAPE 343 00:16:49,250 --> 00:16:51,420 AT THE CHATTERBOX BAR. HOW'S THAT GOING? 344 00:16:51,450 --> 00:16:54,120 WELL, WE'RE TRYING TO GET THEM OFF THEIR STORIES. 345 00:16:54,150 --> 00:16:56,850 THEY'RE GOING TO RUN LINEUPS FOR THE RAPE VICTIM. 346 00:16:56,890 --> 00:16:58,350 ALL RIGHT. 347 00:16:58,390 --> 00:17:01,290 I'LL BE TAKING A STATEMENT IN ANTI‐CRIME IF YOU NEED ME. 348 00:17:02,890 --> 00:17:04,560 YOU HAVE A NICE TIME THE OTHER NIGHT? 349 00:17:06,970 --> 00:17:08,940 I DO RECALL A FEW SMILES, 350 00:17:08,970 --> 00:17:11,280 AND YOU DID LAUGH ONCE OR TWICE. 351 00:17:11,300 --> 00:17:15,240 I WAS TAKING TIME TO PHRASE MY ANSWER. 352 00:17:15,270 --> 00:17:18,770 YES, I HAD A NICE TIME THE OTHER NIGHT. 353 00:17:18,810 --> 00:17:20,640 YOU NEEDED TIME TO PHRASE THAT? 354 00:17:20,680 --> 00:17:23,650 WELL, A SITUATION LIKE THIS, IT'S BEST TO BE CAREFUL 355 00:17:23,680 --> 00:17:26,110 SO NO ONE GETS THE WRONG IDEA. 356 00:17:26,150 --> 00:17:30,490 LIKE, UH, LIKE MAYBE ANOTHER DATE SOMEWHERE? 357 00:17:30,520 --> 00:17:32,650 BALDWIN, HAS IT CROSSED YOUR MIND 358 00:17:32,690 --> 00:17:36,290 THAT THERE'S A REAL OPPORTUNITY HERE FOR CONFLICT OF INTEREST? 359 00:17:36,330 --> 00:17:39,640 THERE'S NO REGULATION AGAINST DETECTIVES AND ADAs. 360 00:17:39,660 --> 00:17:42,130 MY RESEARCH INDICATES IT CAN WORK FAIRLY WELL, 361 00:17:42,170 --> 00:17:43,980 IF YOU WANT IT TO. 362 00:17:44,000 --> 00:17:45,600 YOU GO ON THE INTERNET? 363 00:17:45,640 --> 00:17:47,280 NO. 364 00:17:47,310 --> 00:17:51,120 I MADE A PASSING INQUIRY TO ANDY SIPOWICZ. 365 00:17:51,140 --> 00:17:52,610 I DON'T KNOW IF SIPOWICZ IS 366 00:17:52,640 --> 00:17:54,140 THE BEST PLACE TO GET ADVICE RIGHT NOW, BUT ‐‐ 367 00:17:54,180 --> 00:17:55,740 BECAUSE HE'S WORKING OUT A JACKPOT? 368 00:17:55,780 --> 00:17:57,980 YOU'RE CONFIDENT IT'LL GET WORKED OUT. 369 00:17:58,020 --> 00:17:59,860 DID THEY RECOVER THOSE KIDS' WEAPON? 370 00:17:59,880 --> 00:18:02,680 ANDY SAYS IT WAS A GOOD SHOOT. 371 00:18:02,720 --> 00:18:04,250 I BELIEVE THAT. 372 00:18:04,290 --> 00:18:05,750 AND WHY DON'T YOU? 373 00:18:05,790 --> 00:18:07,420 I'M NOT SAYING I DON'T BELIEVE IT WAS A GOOD SHOOT. 374 00:18:07,460 --> 00:18:09,420 IT'S JUST ‐‐ GIVEN HIS REPUTATION 375 00:18:09,460 --> 00:18:11,660 AND CERTAIN STORIES YOU HEAR ‐‐ 376 00:18:11,700 --> 00:18:13,040 SUCH AS? 377 00:18:13,060 --> 00:18:14,530 THE DRINKING, FOR ONE. 378 00:18:14,570 --> 00:18:15,970 ANCIENT HISTORY. 379 00:18:16,000 --> 00:18:18,600 WHEN A DINOSAUR LIKE SIPOWICZ 380 00:18:18,640 --> 00:18:21,050 UNLOADS ON A CARFUL OF BLACK KIDS 381 00:18:21,070 --> 00:18:23,140 AND IT ENDS UP A POSSIBLE JACKPOT, IT JUST ‐‐ 382 00:18:23,170 --> 00:18:25,310 IT WOULDN'T SURPRISE ME IF IT STAYED A JACKPOT. 383 00:18:25,340 --> 00:18:27,110 WELL, IT WOULD SURPRISE THE HELL OUT OF ME. 384 00:18:27,150 --> 00:18:28,720 NOW, REGARDLESS OF HIS PAST, 385 00:18:28,750 --> 00:18:31,020 ANDY'S THE BEST DAMN DETECTIVE I'VE EVER MET, 386 00:18:31,050 --> 00:18:32,350 DINOSAUR OR NOT. 387 00:18:32,380 --> 00:18:35,650 I'LL CALL IF I NEED YOU FOR LINEUP. 388 00:18:37,990 --> 00:18:40,520 I'M SORRY, BUT ALL PRESS INQUIRIES 389 00:18:40,560 --> 00:18:42,190 ARE BEING REFERRED TO THE DEPUTY COMMISSIONER 390 00:18:42,230 --> 00:18:43,670 OF PUBLIC INFORMATION. 391 00:18:43,700 --> 00:18:46,370 HOLD ON A SEC. I'LL GET IT FOR YOU. 392 00:18:46,400 --> 00:18:48,840 20 CALLS A DAY, AND NOT ONE OF THEM HAS THE NUMBER FOR DCPI. 393 00:18:48,870 --> 00:18:50,880 WHERE'S ANDY? 394 00:18:50,900 --> 00:18:53,740 LEFRAK CITY. HE'S SEEING THE DEPARTMENT PSYCHIATRIST. 395 00:18:53,770 --> 00:18:55,240 HEY, HE NEEDS TO LOOK AT THIS. 396 00:18:55,270 --> 00:18:56,740 WHITE KID'S WALLET UNDER A PARKED CAR 397 00:18:56,780 --> 00:18:58,080 TWO BLOCKS FROM THE SHOOTING. 398 00:18:58,110 --> 00:18:59,880 LICENSE SPECS FIT ANDY'S DESCRIPTION. 399 00:18:59,910 --> 00:19:01,910 ELI BEARDSLEY. ADDRESS IN SOHO. 400 00:19:01,950 --> 00:19:04,590 FAX IT TO LEFRAK SO ANDY CAN GET A LOOK AT IT. 401 00:19:04,620 --> 00:19:06,690 I'LL GET HER ON THE PHONE. TELL THEM IT'S ON THE WAY. 402 00:19:08,550 --> 00:19:10,550 HOW ABOUT THAT? 403 00:19:28,210 --> 00:19:29,680 HOW DO YOU DO, MRS. BEARDSLEY? 404 00:19:29,710 --> 00:19:31,910 OH, BETH, PLEASE. 405 00:19:34,710 --> 00:19:37,510 THE, UH, THE DOORMAN MENTIONED NAMES 406 00:19:37,550 --> 00:19:39,850 WHEN HE CALLED UP, BUT I FORGOT. 407 00:19:39,880 --> 00:19:41,880 DIANE RUSSELL, DANNY SORENSON. 408 00:19:41,920 --> 00:19:45,350 AND I'M NOT SURE I KNOW WHAT THIS IS REGARDING. 409 00:19:45,390 --> 00:19:47,960 UM, ACTUALLY, WE WERE HOPING TO SPEAK TO YOUR SON. 410 00:19:47,990 --> 00:19:49,290 WHY? 411 00:19:49,330 --> 00:19:50,700 HE'S NOT IN ANY KIND OF TROUBLE, MRS. BEARDSLEY. 412 00:19:50,730 --> 00:19:53,230 WE FOUND HIS WALLET AND WANTED TO ASK IF IT HAD BEEN STOLEN. 413 00:19:53,260 --> 00:19:55,300 IS HE HERE, MA'AM? 414 00:19:55,330 --> 00:19:56,800 I JUST GOT BACK FROM MY TRAINER, 415 00:19:56,840 --> 00:19:59,280 SO I'M NOT SURE. I'LL GO CHECK. 416 00:20:06,180 --> 00:20:09,660 HER ATTITUDE INDICATES THE KID'S HAD PRIOR TROUBLE. 417 00:20:09,680 --> 00:20:11,450 BCI HAD HIM CLEAN, BUT ANY RICH KID 418 00:20:11,480 --> 00:20:15,320 TROTTING FIRST AVENUE AT 6:30 ISN'T HELPING THE NEEDY. 419 00:20:17,590 --> 00:20:19,290 PROBABLY 10, 15 GRAND FOR THIS. 420 00:20:19,320 --> 00:20:21,390 I OUGHT TO PICK ONE UP FOR MY BEDROOM. 421 00:20:21,430 --> 00:20:23,230 IT WOULD GET LOST IN THE DIRTY LAUNDRY. 422 00:20:23,260 --> 00:20:25,660 FORGOT YOU HAD INTIMATE KNOWLEDGE. 423 00:20:26,870 --> 00:20:29,010 OF THE BEDROOM AREA, I MEANT. 424 00:20:30,200 --> 00:20:31,570 NOW I DON'T KNOW WHAT I MEANT. 425 00:20:31,600 --> 00:20:34,570 ELI, THESE ARE THE DETECTIVES, UM ‐‐ 426 00:20:34,610 --> 00:20:36,010 RUSSELL AND SORENSON. 427 00:20:36,040 --> 00:20:38,340 YEAH, SHE SAID YOU GUYS FOUND MY WALLET. 428 00:20:38,380 --> 00:20:40,620 Diane: SOMEONE DUMPED IT UNDER A PARKED CAR NEAR FIRST AVENUE. 429 00:20:40,650 --> 00:20:42,250 WE'D PREFER HAVING THIS CONVERSATION 430 00:20:42,280 --> 00:20:44,610 DOWN AT THE STATION HOUSE. 431 00:20:44,650 --> 00:20:47,650 WHY? I DON'T UNDERSTAND. HE CAN LOOK AT OUR MUG BOOKS, 432 00:20:47,690 --> 00:20:49,800 SEE IF HE RECOGNIZES WHO STOLE HIS WALLET. 433 00:20:49,820 --> 00:20:51,820 I MEAN, THERE'S NOBODY TO RECOGNIZE. 434 00:20:51,860 --> 00:20:53,970 I‐I LOST IT TWO DAYS AGO. 435 00:20:53,990 --> 00:20:56,160 IT WASN'T STOLEN MAYBE THIS MORNING? 436 00:20:56,190 --> 00:20:57,660 NO, IT'S BEEN A COUPLE OF DAYS. 437 00:20:57,700 --> 00:21:00,170 IT FELL OUT OF MY POCKET ON THE SUBWAY. 438 00:21:00,200 --> 00:21:02,460 IF YOU GOT IT ON YOU, THOUGH, I COULD USE THE I. D. TONIGHT. 439 00:21:02,500 --> 00:21:03,970 IT'S AT THE STATION HOUSE. 440 00:21:04,000 --> 00:21:06,300 ANY CHANCE YOU WERE DOWNTOWN NEAR 9th AND FIRST AVE. 441 00:21:06,340 --> 00:21:08,310 AROUND 6:30 THIS MORNING? 442 00:21:08,340 --> 00:21:10,140 HE SAID HE LOST IT TWO DAYS AGO. 443 00:21:10,170 --> 00:21:11,640 FORGET IT, MOM. I WASN'T THERE. 444 00:21:11,680 --> 00:21:13,150 I WAS HERE, SLEEPING, SO ‐‐ 445 00:21:13,180 --> 00:21:15,850 ELI, IF YOU WANT TO COME BY THE STATION HOUSE LATER, 446 00:21:15,880 --> 00:21:19,180 WE'LL BE THERE, AND WE'LL BE HAPPY TO RETURN YOUR WALLET. 447 00:21:19,220 --> 00:21:21,360 I'LL JUST TAKE A PASSPORT I. D. 448 00:21:21,390 --> 00:21:23,230 YOU GUYS CAN JUST DROP IT IN THE MAIL. 449 00:21:23,250 --> 00:21:24,720 YOU SURE YOU DON'T WANT TO COME DOWN? 450 00:21:24,760 --> 00:21:27,670 YEAH. IS THAT IT? 451 00:21:28,760 --> 00:21:30,290 ALL RIGHT. 452 00:21:30,330 --> 00:21:31,830 THANKS FOR YOUR TIME. 453 00:21:35,670 --> 00:21:37,640 THAT KID'S PURE SKEL, DIANE ‐‐ 454 00:21:37,670 --> 00:21:39,170 SKELLY EYES, SKELLY HABITS. 455 00:21:39,200 --> 00:21:40,640 JUST NO DRUG COLLARS 456 00:21:40,670 --> 00:21:42,140 AND NOTHING PUTTING HIM DOWNTOWN. 457 00:21:42,170 --> 00:21:43,810 NO WAY HE'S TELLING THE TRUTH. 458 00:21:43,840 --> 00:21:46,510 I'M TRYING TO THINK OF A WAY TO GO AT HIM. 459 00:21:46,550 --> 00:21:47,650 UH, WHAT'S YOUR NAME? 460 00:21:47,680 --> 00:21:48,840 PETE VITELLO. 461 00:21:48,880 --> 00:21:50,680 WHAT DO YOU KNOW ABOUT THE KID IN 6‐E? 462 00:21:50,720 --> 00:21:53,020 HE LIVES HERE. 463 00:21:53,050 --> 00:21:54,480 WHAT CAN YOU TELL US ABOUT HIM? 464 00:21:54,520 --> 00:21:56,520 NOT A LOT. YOU KNOW, IT'S NOT MY BUSINESS. 465 00:21:56,560 --> 00:21:58,400 YOU BEEN HERE A WHILE, RIGHT? 466 00:21:58,420 --> 00:21:59,890 YOU'RE TIGHT WITH THE TENANTS? 467 00:21:59,920 --> 00:22:01,660 MOST OF 'EM. 468 00:22:01,690 --> 00:22:03,660 WE KNOW YOU DON'T WANT TO TALK OUT OF SCHOOL, 469 00:22:03,700 --> 00:22:06,610 BUT WE NEED TO KNOW A FEW THINGS ON THIS KID. 470 00:22:06,630 --> 00:22:08,760 JUST A GENERAL SENSE OF HIS CHARACTER, 471 00:22:08,800 --> 00:22:10,570 AND IF YOU EVER NEED ASSISTANCE 472 00:22:10,600 --> 00:22:12,270 OR IF A FAMILY MEMBER DOES OR A COUSIN 473 00:22:12,300 --> 00:22:14,270 OR A FRIEND OR ACQUAINTANCE, I DON'T CARE ‐‐ 474 00:22:14,310 --> 00:22:15,480 YOU CALL ME. 475 00:22:19,380 --> 00:22:21,290 HE'S A MAJOR PAIN IN THE BALLS. 476 00:22:21,310 --> 00:22:23,280 THE MOTHER, TOO. IT'S LIKE YOU'RE DIRT. 477 00:22:23,310 --> 00:22:24,710 HE KEEP ODD HOURS? 478 00:22:24,750 --> 00:22:27,180 HE'S A PARTIER. PRETTY SERIOUS ABOUT IT. 479 00:22:27,220 --> 00:22:29,050 LIKE, UH, DRINKING SERIOUS? 480 00:22:29,090 --> 00:22:30,800 HE'S DONE A FEW STINTS IN DRUG REHAB. 481 00:22:30,820 --> 00:22:33,560 YOU SEE HIM COME IN THIS MORNING ABOUT 6:45 OR 7:00? 482 00:22:33,590 --> 00:22:35,420 NO, I COME ON AT 8:00. THE NIGHT GUY'D KNOW. 483 00:22:35,460 --> 00:22:36,730 YOU HAVE HIS HOME PHONE? 484 00:22:36,760 --> 00:22:38,730 YEAH. YEAH. 485 00:22:38,760 --> 00:22:40,130 I'LL CALL HIM FIRST, 486 00:22:40,160 --> 00:22:42,130 LET HIM KNOW IT'S ALL RIGHT TO TALK. 487 00:22:42,170 --> 00:22:43,640 BUT SO YOU KNOW, 488 00:22:43,670 --> 00:22:46,130 HE'S, UH, GOT A HABIT OF DOZING OFF AT WORK. 489 00:22:46,170 --> 00:22:47,470 ONE LAST FAVOR. 490 00:22:47,510 --> 00:22:50,150 IF THE KID LEAVES, CALL THIS CELL NUMBER. 491 00:22:50,170 --> 00:22:51,210 NO PROBLEM. 492 00:22:51,240 --> 00:22:53,440 PETE, YOU'RE A FINE AMERICAN. 493 00:23:10,260 --> 00:23:12,630 DETECTIVE, HOW DOES IT MAKE YOU FEEL 494 00:23:12,660 --> 00:23:14,630 THAT THIS SHOOTING IS PRESENTLY QUESTIONABLE? 495 00:23:14,670 --> 00:23:16,640 I'M CONFIDENT IT'LL WORK ITSELF OUT. 496 00:23:16,670 --> 00:23:19,130 THAT'S AN INTELLECTUAL RESPONSE. I WANT TO KNOW HOW YOU FEEL. 497 00:23:19,170 --> 00:23:23,610 I SUPPOSE A LITTLE ANXIOUS TO PUT IT TO BED. 498 00:23:23,640 --> 00:23:25,570 WHERE DO YOU THINK THAT ANXIETY'S COMING FROM? 499 00:23:25,610 --> 00:23:26,610 SPAIN. 500 00:23:26,650 --> 00:23:27,790 SERIOUSLY, DETECTIVE. 501 00:23:27,810 --> 00:23:29,750 DO YOU THINK YOU'RE FEELING ANXIETY 502 00:23:29,780 --> 00:23:32,450 BECAUSE, AT ROOT, YOU FEEL YOU MAY HAVE BEEN IN THE WRONG? 503 00:23:32,480 --> 00:23:35,080 NO. IT WAS A GOOD SHOOT. 504 00:23:35,120 --> 00:23:37,120 HOW DO YOU FEEL ABOUT BLACK PEOPLE? 505 00:23:37,160 --> 00:23:38,800 WHAT'S THAT GOT TO DO WITH ANYTHING? 506 00:23:38,820 --> 00:23:41,160 THE DUTY CAPTAIN'S REPORT SAYS THAT YOU ROUNDED BACK 507 00:23:41,190 --> 00:23:42,990 AFTER WITNESSING TWO BLACK YOUTHS 508 00:23:43,030 --> 00:23:44,500 WALKING BEHIND A WHITE YOUTH. 509 00:23:44,530 --> 00:23:46,030 YEAH. THEY WERE SCOPING HIM OUT. 510 00:23:46,060 --> 00:23:47,300 WHEN YOU PASSED, 511 00:23:47,330 --> 00:23:49,800 THEY WERE SEPARATED BY "ABOUT 50 FEET," YOU SAID. 512 00:23:49,830 --> 00:23:51,200 FROM THAT DISTANCE, 513 00:23:51,240 --> 00:23:53,210 HOW COULD YOU POSSIBLY KNOW WHAT THEY WERE DOING? 514 00:23:53,240 --> 00:23:55,310 I GOT ENOUGH YEARS ON THE JOB TO READ BODY LANGUAGE. 515 00:23:55,340 --> 00:23:56,810 WOULD YOU HAVE ROUNDED BACK 516 00:23:56,840 --> 00:23:58,640 IF THE TWO BLACK YOUTHS HAD BEEN WHITE? 517 00:23:58,680 --> 00:24:00,220 THEY WEREN'T. 518 00:24:00,240 --> 00:24:02,810 CERTAIN FOLKS IN THIS FIELD WOULD SAY THAT KIND OF ANSWER, 519 00:24:02,850 --> 00:24:05,490 OR LACK THEREOF, IS A GUILTY ADMISSION. 520 00:24:05,520 --> 00:24:07,130 SO BY NOT SAYING ANYTHING, 521 00:24:07,150 --> 00:24:08,620 WHAT I'M REALLY SAYING IS 522 00:24:08,650 --> 00:24:11,120 I ONLY WENT BACK BECAUSE THOSE KIDS WERE BLACK. 523 00:24:11,160 --> 00:24:13,300 NOW TAKE IT A STEP FURTHER AND ASK YOURSELF, 524 00:24:13,320 --> 00:24:15,460 DID I ONLY SHOOT BECAUSE THEY WERE BLACK? 525 00:24:15,490 --> 00:24:17,360 I SHOT BECAUSE THEY HAD A GUN ON ME. 526 00:24:17,400 --> 00:24:18,670 WHICH HASN'T BEEN FOUND. 527 00:24:18,700 --> 00:24:21,140 WHAT ARE YOU TRYING TO GET ME TO ADMIT? 528 00:24:21,170 --> 00:24:22,640 JUST THE TRUTH. 529 00:24:22,670 --> 00:24:25,010 DID I ROLL AROUND THE BLOCK AGAIN 530 00:24:25,040 --> 00:24:27,480 BECAUSE THESE KIDS WERE BLACK? MAYBE. 531 00:24:27,510 --> 00:24:29,820 I MIGHT'VE DONE THE SAME THING IF THEY WERE WHITE. 532 00:24:29,840 --> 00:24:31,540 I DON'T KNOW BECAUSE THEY WEREN'T. 533 00:24:31,580 --> 00:24:33,850 WHAT I DO KNOW FOR DAMN SURE 534 00:24:33,880 --> 00:24:35,340 IS I SHOT AT THAT CAR 535 00:24:35,380 --> 00:24:37,350 BECAUSE THERE WAS A GUN POINTING AT ME. 536 00:24:37,380 --> 00:24:39,310 THAT'S IT. NO COLORS. NO BLACK, NO WHITE. 537 00:24:39,350 --> 00:24:40,480 JUST THE GUN. 538 00:24:40,520 --> 00:24:42,480 IF YOU ROLLED ON THEM BECAUSE OF A PREJUDICE, 539 00:24:42,520 --> 00:24:44,250 YOU CAN'T JUST DIVORCE YOURSELF FROM THAT 540 00:24:44,290 --> 00:24:45,650 WHEN IT COMES TO THE SHOOTING. 541 00:24:45,690 --> 00:24:47,660 YOU KNOW WHAT, DOC? I'VE HAD ENOUGH OF THIS CRAP. 542 00:24:47,690 --> 00:24:48,990 I'M LEAVING. 543 00:24:49,030 --> 00:24:51,840 DETECTIVE SIPOWICZ, WE HAVE 42 MINUTES LEFT. 544 00:24:51,860 --> 00:24:53,860 YEAH? WELL, STICK 'EM IN YOUR ASS. 545 00:24:53,900 --> 00:24:55,530 THIS WILL BE REFLECTED IN MY REPORT, DETECTIVE. 546 00:24:55,570 --> 00:24:57,880 STICK YOUR REPORT IN YOUR ASS, TOO. 547 00:25:17,120 --> 00:25:19,790 YOU RECOGNIZE ANYONE HERE? 548 00:25:19,820 --> 00:25:21,790 [ Sniffs ] THIS IS THE LAST LINEUP? 549 00:25:21,830 --> 00:25:23,270 DON'T WORRY ABOUT THAT. 550 00:25:23,290 --> 00:25:25,190 JUST TELL US IF YOU RECOGNIZE ANYONE. 551 00:25:25,230 --> 00:25:27,200 OKAY, BUT THE GUYS WHO RAPED ME ‐‐ 552 00:25:27,230 --> 00:25:28,900 ARE THEY IN THIS LINEUP? 553 00:25:28,930 --> 00:25:31,930 IF YOU RECOGNIZE SOMEONE FROM LAST NIGHT, THEN TELL US. 554 00:25:43,180 --> 00:25:45,180 NUMBER 4. 555 00:25:46,480 --> 00:25:48,650 RELAX IN THERE A MINUTE, GUYS. 556 00:25:48,690 --> 00:25:51,400 NUMBER 4 IS ONE OF THE GUYS WHO RAPED ME. 557 00:25:51,420 --> 00:25:53,890 COME ON, LET'S GO TALK OUTSIDE. 558 00:25:53,930 --> 00:25:55,970 HE'S ONE OF THEM, RIGHT? 559 00:25:55,990 --> 00:25:57,930 NO. 560 00:25:57,960 --> 00:26:00,430 CAN I JUST SEE THAT FIRST LINEUP AGAIN? 561 00:26:00,460 --> 00:26:03,100 IT'S OKAY IF YOU DON'T RECOGNIZE ANYONE. 562 00:26:05,140 --> 00:26:07,110 I'D BEEN DRINKING. 563 00:26:07,140 --> 00:26:09,940 THEY HAD ‐‐ HAD MY FACE SHOVED IN THE SINK. 564 00:26:09,970 --> 00:26:11,410 I COULDN'T SEE. 565 00:26:11,440 --> 00:26:13,310 I KNOW. 566 00:26:13,340 --> 00:26:15,580 SO, WHAT IS GOING TO HAPPEN NOW ‐‐ 567 00:26:15,610 --> 00:26:17,950 THEY'RE JUST GOING TO GET FREE? 568 00:26:17,980 --> 00:26:19,820 COME ON. 569 00:26:25,220 --> 00:26:28,160 YOU HEAR FROM DANNY AND DIANE? 570 00:26:28,190 --> 00:26:30,290 THE LAST I HEARD, THEY WERE AT BEARDSLEY'S APARTMENT. 571 00:26:30,330 --> 00:26:31,630 THEY SHOULD BE HERE ANY MINUTE. 572 00:26:31,660 --> 00:26:32,630 DONE WITH THE SHRINK? 573 00:26:32,660 --> 00:26:34,130 IT WRAPPED UP QUICK. 574 00:26:34,170 --> 00:26:36,270 I'M INTERESTED HOW THEY MADE OUT. 575 00:26:36,300 --> 00:26:38,800 THAT SHRINK REPORT WILL NOT BE FAVORABLE. 576 00:26:42,170 --> 00:26:46,140 GUYS, SHE COULDN'T I. D. 577 00:26:46,180 --> 00:26:48,490 THERE SHOULD BE A DIFFERENT CROWD AT THE BAR, 578 00:26:48,510 --> 00:26:49,480 SO WE'LL GO BACK. 579 00:26:49,510 --> 00:26:50,980 WE'RE HAVING THE OWNER MEET US THERE. 580 00:26:51,020 --> 00:26:52,720 HOW'S SHE DOING ‐‐ McDOWELL? 581 00:26:52,750 --> 00:26:54,480 WELL, I THINK SHE'S DOING FINE. 582 00:26:54,520 --> 00:26:56,550 ME TOO, BUT I HAD SOME INITIAL RESERVATIONS 583 00:26:56,590 --> 00:26:58,350 AND I MADE A COUPLE CALLS. 584 00:26:58,390 --> 00:27:00,120 SHE'S NOT WITH I. A. B. 585 00:27:00,160 --> 00:27:01,190 YEAH, I FOUND OUT. 586 00:27:01,230 --> 00:27:02,300 SHE PULLS HER WEIGHT? 587 00:27:02,330 --> 00:27:03,270 YEAH, ABSOLUTELY. 588 00:27:05,400 --> 00:27:07,810 I GOT THE FAX. WHERE'S THAT KID BEARDSLEY? 589 00:27:07,830 --> 00:27:09,030 HE WOULDN'T COP TO IT, ANDY. 590 00:27:09,070 --> 00:27:10,510 WOULDN'T COP TO WHAT? 591 00:27:10,530 --> 00:27:12,300 WOULDN'T COP TO BEING DOWN THERE AT ALL. 592 00:27:12,340 --> 00:27:14,880 THAT WAS THE KID! THE SAME ONE FROM THE PHOTO. 593 00:27:14,910 --> 00:27:15,980 WE KNOW, ANDY. 594 00:27:16,010 --> 00:27:17,380 GUYS...INSIDE. 595 00:27:17,410 --> 00:27:18,870 GET THE SUSPECT FIRST, 596 00:27:18,910 --> 00:27:21,740 MAKE SURE WE KNOW WHERE TO FIND HIM. 597 00:27:24,120 --> 00:27:25,720 CHANCES ARE, 598 00:27:25,750 --> 00:27:27,850 BEARDSLEY WAS ON THE STREET THIS MORNING COPPING DOPE, 599 00:27:27,890 --> 00:27:30,000 AND HE DIDN'T WANT TO ADMIT IT IN FRONT OF HIS MOTHER. 600 00:27:30,020 --> 00:27:31,820 THE DOORMAN CONFIRMS HE COMES IN LOADED. 601 00:27:31,860 --> 00:27:33,670 THE KID'S A SKEL? I DIDN'T GET THAT HIT OFF HIM. 602 00:27:33,690 --> 00:27:35,990 THE DOORMAN SEE BEARDSLEY COME IN THIS MORNING? 603 00:27:36,030 --> 00:27:37,870 NO, AND WE CHECKED WITH THE NIGHT GUY, 604 00:27:37,900 --> 00:27:39,840 WHO DIDN'T RECALL, BUT WAS PROBABLY ASLEEP. 605 00:27:39,860 --> 00:27:42,000 DID YOU MAKE ANY ATTEMPT TO GET HIM AWAY FROM HIS MOTHER? 606 00:27:42,030 --> 00:27:43,670 WE TRIED, BUT THE MOTHER BLOCKED IT. 607 00:27:43,700 --> 00:27:44,830 SO WE'RE NO PLACE. 608 00:27:44,870 --> 00:27:47,200 WE'RE GOING TO CHANGE INTO SOFT CLOTHES. 609 00:27:47,240 --> 00:27:48,500 WE'RE GOING TO SIT ON THE KID'S PLACE, 610 00:27:48,540 --> 00:27:50,370 TAIL HIM TILL HE MAKES A MOVE TO COP. 611 00:27:50,410 --> 00:27:52,210 WILL HE BE CHECKING IN WITH HIS SCHEDULE? 612 00:27:52,240 --> 00:27:54,610 'CAUSE I'LL SEE TO IT THAT GAY JOHN KEEPS THE PHONES CLEAR. 613 00:27:54,650 --> 00:27:56,290 WE FIGURE HE'LL HEAD OUT SOON, 614 00:27:56,310 --> 00:27:58,280 SEEING HOW HE LOST HIS MONEY GETTING MUGGED 615 00:27:58,320 --> 00:28:00,290 AND HE'S BEEN AT HOME WAITING FOR HIS MOM AND HER PURSE 616 00:28:00,320 --> 00:28:01,450 TO GET BACK FROM THE GYM. 617 00:28:01,490 --> 00:28:02,990 THEN YOU BETTER GET GOING. 618 00:28:05,120 --> 00:28:06,820 NO ONE'S GIVING UP, ANDY. 619 00:28:19,170 --> 00:28:22,040 DO YOU HAVE FAITH I DID THE RIGHT THING THIS MORNING? 620 00:28:22,070 --> 00:28:24,410 I BELIEVE YOUR STORY, IF THAT'S WHAT YOU'RE ASKING. 621 00:28:24,440 --> 00:28:26,410 'CAUSE I DON'T CARE WHAT ELSE HAPPENS HERE 622 00:28:26,440 --> 00:28:29,480 AS LONG AS YOU KNOW THAT I DID THE RIGHT THING OUT THERE. 623 00:28:29,510 --> 00:28:31,480 IF YOU'RE ASKING DO I THINK IT'S POSSIBLE 624 00:28:31,520 --> 00:28:34,490 YOU SHOT AT A CARFUL OF KIDS JUST 'CAUSE THEY'RE BLACK? 625 00:28:34,520 --> 00:28:35,580 I DON'T. 626 00:28:35,620 --> 00:28:37,790 THAT MEANS A LOT. 627 00:28:41,130 --> 00:28:43,330 I HAVE RESPECT FOR YOU. 628 00:28:43,360 --> 00:28:45,760 I HAVE RESPECT FOR YOU, TOO. 629 00:28:52,200 --> 00:28:53,670 DETECTIVE SIPOWICZ? 630 00:28:53,710 --> 00:28:55,850 CYNTHIA BEUNEN FOR YOU. 631 00:29:00,140 --> 00:29:02,910 HEY, CYNTHIA. HOW'S IT GOING? 632 00:29:02,950 --> 00:29:05,990 WHY WOULDN'T I BE OKAY? 633 00:29:09,950 --> 00:29:13,090 WELL, EDDIE SHOULDN'T HAVE GOT YOU RUFFLED. 634 00:29:13,120 --> 00:29:15,960 IT'S, UH, IT'S JUST SOME ADMINISTRATIVE THINGS 635 00:29:15,990 --> 00:29:17,790 NEED STRAIGHTENING OUT. 636 00:29:17,830 --> 00:29:19,800 NO, SURE, THAT ALWAYS GETS YOU TENSE, 637 00:29:19,830 --> 00:29:22,300 BUT I'M ALL RIGHT. THERE'S NOTHING TO WORRY ABOUT. 638 00:29:22,330 --> 00:29:24,300 HEY, LISTEN, UH, MY LIEUTENANT'S CALLING ME. 639 00:29:24,340 --> 00:29:26,210 I BETTER CALL YOU BACK LATER, ALL RIGHT? 640 00:29:26,240 --> 00:29:28,250 YEAH. OKAY, BYE. 641 00:29:40,590 --> 00:29:42,230 TOMMY REGAL? 642 00:29:42,250 --> 00:29:43,950 RIGHT HERE. 643 00:29:43,990 --> 00:29:46,820 DETECTIVE JONES, MEDAVOY, AND McDOWELL. 644 00:29:46,860 --> 00:29:48,290 I'VE ASKED AROUND ‐‐ 645 00:29:48,330 --> 00:29:50,300 PEOPLE WHO WERE HERE LAST NIGHT, 646 00:29:50,330 --> 00:29:52,460 PEOPLE IN THE NEIGHBORHOOD. 647 00:29:52,500 --> 00:29:54,170 THREE WHITE KIDS WITH SKI MASKS ‐‐ THAT'S IT. 648 00:29:54,200 --> 00:29:55,960 Greg: WHAT DID YOU SEE? 649 00:29:56,000 --> 00:29:57,300 A GUN, THEN THE FLOOR. 650 00:29:57,340 --> 00:29:59,240 EXCUSE ME, SIR, COULD YOU MOVE FOR US, PLEASE? 651 00:29:59,270 --> 00:30:01,800 [ Slurred ] I'D PREFER NOT TO. 652 00:30:01,840 --> 00:30:03,740 WELL, I PREFER THAT YOU DID, 653 00:30:03,780 --> 00:30:05,320 SO WORK ON YOUR AFTERNOON HEATER 654 00:30:05,340 --> 00:30:07,180 AT ONE OF THE TABLES OVER THERE. 655 00:30:07,210 --> 00:30:09,580 TH‐THIS IS MY STOOL. 656 00:30:09,610 --> 00:30:11,680 I DRINK MY DRINKS RIGHT HERE. 657 00:30:11,720 --> 00:30:12,820 BRANCH OUT A LITTLE. 658 00:30:12,850 --> 00:30:14,750 GO AHEAD, ERNIE. NEXT ROUND'S ON ME. 659 00:30:14,790 --> 00:30:16,430 I SHOULD HOPE SO. 660 00:30:16,450 --> 00:30:18,590 THERE YOU GO. 661 00:30:21,860 --> 00:30:24,760 OH, JEEZ. UH... 662 00:30:24,800 --> 00:30:26,770 YOU SHOULD LEAVE NOW... ERNIE. 663 00:30:27,970 --> 00:30:29,470 CLUB SODA. 664 00:31:51,120 --> 00:31:53,090 NOW, THIS IS A HALF‐HOUR AFTER CLOSING. 665 00:31:53,120 --> 00:31:54,530 PLACE IS LOCKED UP, 666 00:31:54,550 --> 00:31:56,790 BUT I HAD A COUPLE OF FRIENDS IN HERE. 667 00:31:56,820 --> 00:31:59,620 I LET ONE OF MY FRIENDS OUT, THEY CAME BUSTING IN. 668 00:31:59,660 --> 00:32:01,960 HOW LONG HAVE YOU OWNED THIS PLACE? 16 YEARS. 669 00:32:01,990 --> 00:32:03,520 HOW LONG HAVE YOU RUN IT? 670 00:32:03,560 --> 00:32:04,960 THE WHOLE TIME. 671 00:32:05,000 --> 00:32:06,840 GET YOUR ASS IN HERE. 672 00:32:12,470 --> 00:32:14,770 NOW, I'M GOING TO TELL YOU THIS ONE TIME ‐‐ 673 00:32:14,810 --> 00:32:16,110 DON'T PLAY DUMB WITH ME. 674 00:32:16,140 --> 00:32:17,770 YOUR PROBLEMS WILL BE COMPOUNDED. 675 00:32:17,810 --> 00:32:19,110 'CAUSE THAT'S A FELONY, 676 00:32:19,140 --> 00:32:20,940 AND A FELON AND HIS LIQUOR LICENSE 677 00:32:20,980 --> 00:32:22,280 ARE SOON PARTED. 678 00:32:22,310 --> 00:32:25,150 I HAD PROBLEMS WITH EMPLOYEES STEALING MONEY. 679 00:32:25,180 --> 00:32:27,320 I CHECKED THE TAPE JUST FOR SECURITY. 680 00:32:27,350 --> 00:32:28,650 WITH YOUR PANTS AROUND YOUR ANKLES? 681 00:32:28,690 --> 00:32:29,800 THAT'S NOT TRUE. 682 00:32:29,820 --> 00:32:30,990 WHERE'S A VCR? 683 00:32:31,020 --> 00:32:32,520 IN MY CABINET IN MY OFFICE. 684 00:32:32,560 --> 00:32:33,970 YOU RECORDED LAST NIGHT'S RAPE? 685 00:32:33,990 --> 00:32:35,360 I‐I'M NOT SURE. 686 00:32:35,390 --> 00:32:36,860 WHEN WE CHECK THE VCR, 687 00:32:36,900 --> 00:32:38,970 THE TAPE THAT'S IN THERE WILL HAVE THE RAPE ON IT? 688 00:32:39,000 --> 00:32:40,310 I'M NOT SURE. 689 00:32:40,330 --> 00:32:42,730 IF THERE'S A FRESH TAPE IN THE VCR, TOMMY, 690 00:32:42,770 --> 00:32:45,340 WHICH WOULD INDICATE THAT YOU PULLED THE ONE FROM LAST NIGHT 691 00:32:45,370 --> 00:32:47,640 SHOWING THE RAPE, YOU BETTER TELL ME NOW. 692 00:32:47,670 --> 00:32:51,140 THERE'S A NEW TAPE IN THE VCR. 693 00:32:51,180 --> 00:32:54,020 WHERE'S THE TAPE FROM LAST NIGHT WITH THE RAPE ON IT? 694 00:32:55,450 --> 00:32:57,960 AT MY APARTMENT. 695 00:33:00,380 --> 00:33:03,520 GET HIM OUT OF HERE BEFORE I DO SOMETHING WRONG! 696 00:33:16,800 --> 00:33:19,270 WHAT ARE YOU THINKING ABOUT? 697 00:33:19,300 --> 00:33:23,540 HOW CORNERED I'D FEEL IF I WAS IN ANDY'S SHOES. 698 00:33:23,580 --> 00:33:25,050 I WAS A BASKET CASE 699 00:33:25,080 --> 00:33:27,050 LOOKING AT GETTING THROWN OFF THE JOB, 700 00:33:27,080 --> 00:33:28,240 BUT THIS ‐‐ 701 00:33:28,280 --> 00:33:30,550 FACING REAL CHARGES, MAYBE A NIGHT IN JAIL ‐‐ 702 00:33:30,580 --> 00:33:33,310 I'D BE HUDDLED IN A CORNER. 703 00:33:35,620 --> 00:33:37,590 I DON'T MEAN TO BRING UP SOMETHING 704 00:33:37,620 --> 00:33:39,090 IF IT'S A DEAD TOPIC, 705 00:33:39,120 --> 00:33:41,760 BUT WE HAD A BIT OF AN UNCOMFORTABLE MOMENT 706 00:33:41,790 --> 00:33:43,760 IN THIS APARTMENT EARLIER. 707 00:33:43,800 --> 00:33:45,600 THE, UH... 708 00:33:45,630 --> 00:33:47,760 INTIMATE KNOWLEDGE OF YOUR APARTMENT. 709 00:33:47,800 --> 00:33:49,970 IT WAS COMPLETELY UNINTENTIONAL. 710 00:33:50,000 --> 00:33:53,770 I GUESS, UH, GIVEN OUR HISTORY, 711 00:33:53,810 --> 00:33:56,280 THERE ARE CERTAIN MINEFIELDS WE MAY STEP INTO, 712 00:33:56,310 --> 00:33:57,780 TIME TO TIME. 713 00:33:57,810 --> 00:34:00,110 YEAH, ON THE WAY TO A COMFORTABLE STATUS QUO. 714 00:34:00,140 --> 00:34:03,610 A ROCKY STEP OCCASIONALLY, AND THEN, UH... 715 00:34:03,650 --> 00:34:04,880 SMOOTH SAILING. 716 00:34:04,920 --> 00:34:06,390 BUT NO OFFENSE TAKEN? 717 00:34:06,420 --> 00:34:07,890 OF COURSE NOT. 718 00:34:07,920 --> 00:34:11,290 GOOD, 'CAUSE I FELT LIKE A COMPLETE IDIOT. 719 00:34:11,320 --> 00:34:12,450 SO DID I. 720 00:34:14,330 --> 00:34:16,300 THERE'S OUR BOY. 721 00:34:16,330 --> 00:34:19,240 [ CELLULAR PHONE RINGS ] 722 00:34:19,260 --> 00:34:20,230 [ RING ] 723 00:34:20,260 --> 00:34:21,230 SORENSON. 724 00:34:21,270 --> 00:34:22,770 GREAT, PETE. THANKS. 725 00:34:22,800 --> 00:34:25,500 THAT WAS PETE THE DOORMAN WITH A HEADS‐UP ON BEARDSLEY. 726 00:34:25,540 --> 00:34:27,650 LESSON BEING, DON'T TREAT YOUR DOORMAN LIKE DIRT. 727 00:34:27,670 --> 00:34:29,970 YEAH, I'LL REMEMBER THAT WHEN I HAVE ONE. 728 00:34:45,790 --> 00:34:47,090 COOL. 729 00:34:47,130 --> 00:34:48,270 ALL RIGHT, THANKS, MAN. 730 00:34:48,290 --> 00:34:50,360 HOLD IT UP, ELI! 731 00:34:50,390 --> 00:34:52,030 YOU LOOKING TO TAKE A JOG, TOO? 732 00:34:52,060 --> 00:34:52,960 NO, MA'AM. 733 00:34:56,900 --> 00:34:58,200 SPIT IT OUT. 734 00:34:58,240 --> 00:34:59,540 SPIT IT OUT! 735 00:34:59,570 --> 00:35:01,300 SPIT! SPIT! 736 00:35:01,340 --> 00:35:02,970 SPIT IT OUT, OR I'LL WHACK YOU UNCONSCIOUS. 737 00:35:03,010 --> 00:35:04,650 NOW BLOW IT OUT! 738 00:35:04,680 --> 00:35:07,050 WHY DOES THE WORLD HATE ME SO MUCH, MAN? 739 00:35:07,080 --> 00:35:10,050 YEAH, IT'S THE WORLD'S FAULT YOU'RE A DOPE FIEND. 740 00:35:17,420 --> 00:35:19,860 MY WIFE HATED IT. MADE ME SHAVE IT OFF. 741 00:35:19,890 --> 00:35:22,290 I'LL CATCH UP WITH YOU. 742 00:35:22,330 --> 00:35:23,740 HEY, HEY! 743 00:35:23,760 --> 00:35:26,730 SO, WHAT HAPPENED THIS MORNING? 744 00:35:26,770 --> 00:35:29,210 I CAME IN WITH MY BELT OFF THE LOOP. 745 00:35:29,230 --> 00:35:31,200 THAT MAKE THE WIRE SERVICE, TOO? 746 00:35:31,240 --> 00:35:32,710 WHAT ARE WE TALKING ABOUT? 747 00:35:32,740 --> 00:35:34,980 YOU PLAYING ASSOCIATED PRESS TO YOUR NIECE CYNTHIA, 748 00:35:35,010 --> 00:35:37,150 OR SHE GOT SOME OTHER PRECINCT MOLE 749 00:35:37,180 --> 00:35:39,150 FILLED HER IN ON MY SHOOTING? 750 00:35:39,180 --> 00:35:41,150 ANDY, YOU JUST CAME UP IN CONVERSATION. 751 00:35:41,180 --> 00:35:43,750 I DON'T LIKE BEING A SUBJECT OF YOUR CONVERSATIONS, EDDIE. 752 00:35:43,780 --> 00:35:46,250 SHE WAS MY NIECE BEFORE SHE WAS YOUR GIRLFRIEND. 753 00:35:46,280 --> 00:35:47,720 "GIRLFRIEND." 754 00:35:47,750 --> 00:35:49,550 WE HAD A FEW DINNERS, GIBSON, 755 00:35:49,590 --> 00:35:51,550 AND REGARDLESS OF OUR RELATIONSHIP STATUS, 756 00:35:51,590 --> 00:35:54,060 MY BUSINESS IN THIS HOUSE STAYS IN THIS HOUSE! 757 00:35:54,090 --> 00:35:56,160 ALL RIGHT? UNTIL I SAY DIFFERENT. 758 00:35:56,190 --> 00:35:58,330 I AGREE TO THAT ENTIRELY, BUT A SITUATION LIKE THIS ‐‐ 759 00:35:58,360 --> 00:35:59,830 HOW YOU GOING TO BLAME ME? 760 00:35:59,860 --> 00:36:02,700 IT'S VITAL INFORMATION TO HER I WAS INVOLVED IN A SHOOTING? 761 00:36:02,730 --> 00:36:04,270 IT JUST CAME UP IN CONVERSATION. 762 00:36:04,300 --> 00:36:06,940 OR YOU'RE GIVING HER HEADS‐UP THAT IT'S A POTENTIAL JACKPOT. 763 00:36:06,970 --> 00:36:09,440 I GOT NOTHING BUT CONFIDENCE THIS WILL WORK OUT. 764 00:36:09,470 --> 00:36:10,940 YOU'LL BE JUMPING OFF THE SHIP 765 00:36:10,980 --> 00:36:12,720 AND INVITING ALL FAMILY TO JOIN SUIT! 766 00:36:12,740 --> 00:36:16,310 ANDY, I HAD NOTHING BUT THE BEST INTENTIONS. 767 00:36:21,820 --> 00:36:24,790 NOW I KNOW WHY GUILIANI DIDN'T GIVE YOU GUYS NO RAISE. 768 00:36:24,820 --> 00:36:25,950 YOU DO, HUH? 769 00:36:25,990 --> 00:36:28,360 YEAH ‐‐ 'CAUSE YOU GUYS ARE CLUELESS. 770 00:36:28,390 --> 00:36:30,190 DON'T GO BLAMING THE MAYOR FOR GETTING STIFFED. 771 00:36:30,230 --> 00:36:31,290 BLAME YOURSELVES. YOU DESERVE IT. 772 00:36:31,330 --> 00:36:32,890 LODGE THESE TWO IDIOTS IN THE CELLS. 773 00:36:32,930 --> 00:36:34,730 DON'T LET THIS MORON GET TO YOU. 774 00:36:34,770 --> 00:36:36,810 DON'T SWEAT IT, MITCH, ALL RIGHT? 775 00:36:36,840 --> 00:36:39,310 THEY'RE JUST DICKING US AROUND. 776 00:36:39,340 --> 00:36:40,850 BYE, JAKE. 777 00:36:50,280 --> 00:36:52,280 SO, WHAT WE LOOKING AT, MITCH? 778 00:36:52,320 --> 00:36:54,730 IT WAS AFTER THE THREE OF YOU HEISTED THE CHATTERBOX. 779 00:36:54,750 --> 00:36:56,990 JAKE WATCHED THE FRONT DOOR WHILE YOU AND TERRY 780 00:36:57,020 --> 00:36:58,990 TOOK THAT WOMAN INTO THE BATHROOM AND RAPED HER. 781 00:36:59,020 --> 00:37:00,290 JUST BECAUSE YOU KEEP SAYING THAT 782 00:37:00,320 --> 00:37:01,760 DOESN'T MEAN I'LL BELIEVE IT. 783 00:37:01,790 --> 00:37:04,390 EVER SEEN WHAT IT LOOKS LIKE ‐‐ A GIRL GETTING RAPED? 784 00:37:04,430 --> 00:37:05,260 NO. 785 00:37:05,300 --> 00:37:06,640 MAYBE YOU SHOULD. 786 00:37:06,670 --> 00:37:09,840 MAYBE YOU SHOULD SEE WHAT YOU LOOK LIKE RAPING A WOMAN. 787 00:37:09,870 --> 00:37:11,830 YOU'LL BE PUSHING UP YOUR SKI MASK IN A SECOND. 788 00:37:11,870 --> 00:37:13,640 SO WILL TERRY. 789 00:37:13,670 --> 00:37:16,000 LOOK AT WHAT YOU DID LAST NIGHT. 790 00:37:16,040 --> 00:37:18,410 LOOK! 791 00:37:18,440 --> 00:37:19,980 LOOK AT WHAT YOU DID TO HER 792 00:37:20,010 --> 00:37:23,610 OR I'LL DRIVE YOUR HEAD THROUGH THE TUBE. 793 00:37:23,650 --> 00:37:26,820 WE WERE HIGH. OKAY? WE WERE TOO HIGH. 794 00:37:28,020 --> 00:37:29,990 UNLESS YOU WANT A JURY IN A COURTROOM 795 00:37:30,020 --> 00:37:32,350 WITH YOUR FRIENDS AND FAMILY TO SEE THAT, 796 00:37:32,390 --> 00:37:33,860 YOU'D BETTER TELL US WHAT HAPPENED. 797 00:37:33,890 --> 00:37:36,290 OKAY. JUST TURN IT OFF. 798 00:37:36,330 --> 00:37:38,340 WHY DON'T YOU JUST TURN IT OFF? 799 00:37:42,130 --> 00:37:44,270 ALL RIGHT, LOOK, FIRST THINGS FIRST. 800 00:37:44,300 --> 00:37:46,840 I CAN HAVE MY LAWYER HERE IN, LIKE, TWO MINUTES, 801 00:37:46,870 --> 00:37:49,100 AND HE'S TOUGH. THEY CALL HIM THE BARRACUDA. 802 00:37:49,140 --> 00:37:51,110 YEAH? SHOULD WE CALL YOUR MOTHER 803 00:37:51,140 --> 00:37:52,770 AND HAVE HER ARRANGE IT? 804 00:37:52,810 --> 00:37:54,810 WHICH BRINGS US TO OUR SECOND THING ‐‐ 805 00:37:54,850 --> 00:37:57,860 I WON'T CALL THE BARRACUDA IF WE CAN MAKE SURE 806 00:37:57,880 --> 00:38:00,350 THAT SHE STAYS IGNORANT OF WHAT HAPPENED THIS MORNING. 807 00:38:00,380 --> 00:38:01,950 YOU GO FIRST, ELI. 808 00:38:01,990 --> 00:38:06,230 NO. I NEED A WRITTEN GUARANTEE THAT THIS WON'T GET BACK TO HER. 809 00:38:06,260 --> 00:38:08,130 YOU'RE NOT GETTING THE SITUATION, ELI. 810 00:38:08,160 --> 00:38:10,330 YOUR BALLS, ALL SHRIVELED FROM JUNK USE ‐‐ 811 00:38:10,360 --> 00:38:12,130 THEY'RE OURS FOR THE BREAKING. 812 00:38:12,160 --> 00:38:14,130 BUT IF YOU MAKE FULL DISCLOSURE ON WHAT HAPPENED 813 00:38:14,170 --> 00:38:16,810 ON THE STREET THIS MORNING, MAYBE THE DOPE GOES AWAY. 814 00:38:16,840 --> 00:38:19,810 AND EXACTLY WHAT TIME AM I GOING TO GET OUT OF HERE? 815 00:38:19,840 --> 00:38:21,500 'CAUSE YOU MISSED YOUR WAKE‐UP SHOT 816 00:38:21,540 --> 00:38:23,840 AND YOU'RE GETTING A LITTLE ITCHY? 817 00:38:23,880 --> 00:38:26,320 THIS MORNING WERE YOU ON 9th AND FIRST? 818 00:38:26,340 --> 00:38:27,840 YES. 819 00:38:27,880 --> 00:38:29,410 DOING WHAT? 820 00:38:29,450 --> 00:38:31,320 SCORING. I WAS ON MY WAY HOME. 821 00:38:31,350 --> 00:38:33,850 SOME BLACK GUYS JUMPED ME, THEY PUT A GUN TO MY HEAD, 822 00:38:33,890 --> 00:38:35,030 AND THEY GRABBED MY WALLET. 823 00:38:35,050 --> 00:38:37,350 AND YOUR DOPE. 824 00:38:37,390 --> 00:38:41,320 A PLAINCLOTHES COP PULLED UP AND HE STOPPED THEM. 825 00:38:41,360 --> 00:38:43,190 MIGHT HAVE SAVED YOUR LIFE. 826 00:38:43,230 --> 00:38:46,000 YEAH, WELL, IT DIDN'T SAVE THE DOPE. 827 00:38:46,030 --> 00:38:48,560 Danny: KEEP GOING, BEFORE YOU GET A SMACK. 828 00:38:48,600 --> 00:38:50,430 HE TOLD ME TO GET IN HIS CAR, 829 00:38:50,470 --> 00:38:52,770 AND WE CHASED THEM TILL WE SAW THEM STOPPED AT A LIGHT. 830 00:38:52,800 --> 00:38:54,770 AND YOU KNOW THIS IS THE SAME CAR? WHY? 831 00:38:54,810 --> 00:38:57,080 I RECOGNIZED THE GUY IN THE BACKSEAT. HE HAD THE GUN. 832 00:38:57,110 --> 00:38:58,510 YOU SAW THE GUN? 833 00:38:58,540 --> 00:39:01,610 YEAH. I MEAN, IT WAS KIND OF HARD TO MISS. 834 00:39:01,650 --> 00:39:03,290 IT WAS NICKEL‐PLATED, GHETTO FABULOUS. 835 00:39:03,310 --> 00:39:05,410 AT WHAT POINT DID YOU DUCK OUT? 836 00:39:05,450 --> 00:39:07,920 WHEN HE PULLED OUT THE GUN AND THE COP UNLOADED. 837 00:39:07,950 --> 00:39:10,590 ALL RIGHT, I NEED YOU TO WRITE EVERYTHING DOWN YOU JUST SAID. 838 00:39:10,620 --> 00:39:12,220 YOU COULD HAVE SAID THAT BEFORE, 839 00:39:12,260 --> 00:39:13,570 SAVED US A LITTLE TIME. 840 00:39:13,590 --> 00:39:15,060 I HATE TO BREAK IT TO YOU, 841 00:39:15,090 --> 00:39:16,760 BUT YOU'VE GOT A FEW MORE CHORES TO DO. 842 00:39:16,800 --> 00:39:19,040 IT'S GOING TO TAKE SOME TIME. 843 00:39:19,060 --> 00:39:21,130 EXACTLY HOW MUCH TIME? 844 00:39:21,170 --> 00:39:23,780 TILL YOU'RE SWEATING LIKE YOU MADE THE COP SWEAT TODAY. 845 00:39:23,800 --> 00:39:24,970 WRITE. 846 00:39:31,140 --> 00:39:32,610 I'LL CALL MARTINEZ. 847 00:39:32,640 --> 00:39:35,810 GET UNIFORM TO BRING IN THE KID FROM THE HOSPITAL. 848 00:39:53,000 --> 00:39:55,440 UH, TELEPHONE, LIEUTENANT. 849 00:39:55,470 --> 00:39:59,010 WHAT? ANDY? 850 00:40:04,340 --> 00:40:06,810 KID ON THE RAPE/ROBBERY IS WRITING A STATEMENT. 851 00:40:06,850 --> 00:40:08,590 GOOD WORK. 852 00:40:08,610 --> 00:40:10,350 THAT'S A HELL OF A THING ABOUT SIPOWICZ. 853 00:40:10,380 --> 00:40:13,750 I GUESS NEXT TIME, WITH A SITUATION LIKE THIS, 854 00:40:13,790 --> 00:40:16,030 I SHOULD GIVE IT TIME TO SHAKE OUT. 855 00:40:16,050 --> 00:40:18,450 YOU COULD LIGHTEN UP A BIT, TOO. 856 00:40:18,490 --> 00:40:20,620 MAYBE THAT, TOO. 857 00:40:20,660 --> 00:40:21,960 GOT DINNER PLANS? 858 00:40:21,990 --> 00:40:23,190 YOU'RE ASKING ME OUT? 859 00:40:23,230 --> 00:40:25,200 UH‐HUH. 860 00:40:25,230 --> 00:40:27,300 LET ME GET BACK TO YOU. 861 00:40:27,330 --> 00:40:29,570 AT YOUR LEISURE, DETECTIVE. 862 00:40:30,670 --> 00:40:32,130 HEY. 863 00:40:32,170 --> 00:40:34,800 UM, MICELLI'S, 8:00. 864 00:40:34,840 --> 00:40:36,340 I'LL SEE YOU THERE. 865 00:40:38,840 --> 00:40:41,310 CONNIE? YOU GOT A MINUTE? 866 00:40:47,250 --> 00:40:49,720 GOOD WORK ON THAT RAPE/ROBBERY TODAY. 867 00:40:49,750 --> 00:40:50,890 THANKS. 868 00:40:50,920 --> 00:40:52,450 YOU GET ALONG ALL RIGHT OVERALL? 869 00:40:52,490 --> 00:40:53,860 FINE. 870 00:40:53,890 --> 00:40:55,290 SO, CAREER‐WISE, 871 00:40:55,330 --> 00:40:57,800 YOU PARTIAL TO FLOATING FROM SQUAD TO SQUAD, 872 00:40:57,830 --> 00:40:59,830 OR WOULD YOU PREFER SETTLING DOWN? 873 00:40:59,860 --> 00:41:02,300 IT WOULD HAVE TO BE IN THE RIGHT SQUAD. 874 00:41:02,330 --> 00:41:04,170 IS THIS THE RIGHT SQUAD? 875 00:41:04,200 --> 00:41:05,470 ABSOLUTELY. 876 00:41:05,500 --> 00:41:07,670 GREAT. BE AT ROLL CALL. YOU'VE BEEN ASSIGNED. 877 00:41:07,710 --> 00:41:10,120 I HOPE THAT'S OKAY WITH YOU. 878 00:41:12,840 --> 00:41:14,840 HAPPY TO BE HERE. 879 00:41:30,700 --> 00:41:32,670 THAT BERT KID WRAPPED UP? 880 00:41:32,700 --> 00:41:34,210 YEAH. 881 00:41:34,230 --> 00:41:36,200 AND THE COUSIN AT THE HOSPITAL ‐‐ 882 00:41:36,230 --> 00:41:38,770 DIANE CALLED AND SAID HE FLIPPED. 883 00:41:38,800 --> 00:41:40,270 APPARENTLY, THE TWO COLLEGE KIDS 884 00:41:40,300 --> 00:41:42,100 LIKE TO RECONNECT WITH THEIR STREET PAL 885 00:41:42,140 --> 00:41:43,400 IN BETWEEN MIDTERMS, 886 00:41:43,440 --> 00:41:46,040 SO THEY DO STICKUPS TO PROVE THEY STILL GOT STREET CHOPS. 887 00:41:46,080 --> 00:41:48,550 HOW'S HIS CONDITION ‐‐ THE ONE THAT WAS IN SURGERY? 888 00:41:48,580 --> 00:41:49,950 STABLE. 889 00:41:49,980 --> 00:41:51,480 GLAD OF THAT. 890 00:41:55,290 --> 00:42:00,200 DANNY, I CAN'T EXPRESS ENOUGH GRATITUDE. 891 00:42:00,220 --> 00:42:02,560 IT'S ALL IN A DAY'S WORK. 892 00:42:02,590 --> 00:42:04,160 DON'T BE AN IDIOT NOW. 893 00:42:05,230 --> 00:42:06,360 SERIOUSLY, THOUGH, 894 00:42:06,400 --> 00:42:08,370 YOU'VE GOTTEN ME OUT OF A LOT OF SCRAPES 895 00:42:08,400 --> 00:42:10,370 AND ONE VERY SERIOUS JACKPOT. 896 00:42:10,400 --> 00:42:13,740 I'M HAPPY THAT I COULD PAY BACK EVEN PART OF THAT. 897 00:42:13,770 --> 00:42:17,210 YOU DID GOOD WORK TODAY. 898 00:42:17,240 --> 00:42:18,910 YOU'RE A GOOD COP. 899 00:42:20,310 --> 00:42:22,480 MEANS A LOT. 900 00:42:34,630 --> 00:42:36,230 NIGHT. 901 00:42:36,260 --> 00:42:38,290 GOOD NIGHT.